I've been working in the art studio with a six-month goal of finishing two pieces each week. I'm working on completing old projects (some of them I started ten years ago!) as well as newer, encaustic pieces that use my bird photographs.\
The deeper I get into the bird work, the more I think about the symbolism of classical painting. This week, I'm thinking a lot about that, and just happened upon this image from a 16th century prayer book over at the Getty Museum.
It so happens I have a work-in-progress with a similar, rose colored circle. In my piece, the circle frames the head of a baby bird and cherubs look down at the baby bird in consolation, and an oval laurel wreath (a grave rubbing from Butte, Montana) frames the scene.A coincidence. But I love the colors in this piece so much, I might try to manipulate the similarities even more.
The classical work you are looking at is called The Worship of the Five Wounds, and was created by Simon Bening, a Flemish artist, between 1525 and 1530 A.D. Bening used tempura paints and gold leaf on parchment paper.This image is part of a prayer book for Cardinal Albrecht of Brandenburg. Because it was part of a major exhibit mounted by the Getty called Imagining Christ, you can see the Prayer Book in its entirety right here.
Great idea to manipulate the similarities. The Worship of the Five Wounds. Pretty Amazing. Thanks for sharing it. I look forward to seeing your artwork.
Posted by: Debra | April 06, 2010 at 07:12 AM