Colombian artist Andrea Acosta tried to get lost in the city of Worpswede, Germany while planning an installation project. She says, "I found myself looking at the enormous amount of street signs that crowd the view of the streets, telling you where and how to look and move...
I found myself looking at the signs themselves [and] the grey space hidden in their backside, at the grey surfaces that are always there but somehow invisible, camouflaged within the constructed landscape we are so used to."
Rebecca Solnit, the author of the book, A Field Guide to Getting Lost says that the word lost derives from the old Norse term for "disbanding an army." She fears that "many people never disband their armies, never go beyond what they know." I've found that to be true.
Solnit continues, "There's an art to attending to the weather, to the route you take, to the landmarks along the way. . . . And there's another art of being at home in the unknown, so that being in its midst isn't cause for panic or suffering."
Acosta altered the back of the street signs to create an unexpected, almost ephemeral encounter within a more concrete environment. These subtle, organic forms are cut from vinyl would be barely noticeable to the self-absorbed.
From now on, I'll always check the back of street signs when I'm confused about where my life is heading. Find more street art at the Wooster Collective.
Andrea Acosta's "B-Side: See Reverse for Directions", Variable dimensions. Adhesive vinyl cuts, ink, found dirt and moos on the backside of street signs. Worpswede (Bergstraße), Germany. July 2007